tag:blogger.com,1999:blog-288407852023-11-16T07:37:43.708-05:00www.raulzamudio.comCurator and WriterRaúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.comBlogger139125tag:blogger.com,1999:blog-28840785.post-55284427381488454232019-09-11T23:44:00.002-04:002019-09-11T23:44:38.548-04:00<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">BLACK HOLE SUN</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">The Monochrome in Art</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Curated by Raul Zamudio</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Sept 14th</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Wine Reception - 5-9 PM</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Houston Art Advisory </span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">3420 Rusk St, Suite 4</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Houston, Texas 77003</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Dress Code: Monochromatic</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><a data-lynx-mode="hover" href="https://l.facebook.com/l.php?u=http%3A%2F%2FHoustonArtAdvisory.com%2F%3Ffbclid%3DIwAR0qN0mwJZ1LddB4qglZTzXvOwzE41AAd5Q3t6sRqUD8GcENN-eDK35y_Qg&h=AT3DKvOpXAkw4iVwMDHinZbLsbGuUMEJz087FeGd3fMPXGUJ6e6rF5I9HhH6AeGSL8R0Bq7BLTaxYsDaLnn07KuGsmFFLzZNOKzyfwKpAGCddNnmwb6fdyNF4_GHiImQZv6fLkNSXfUWhSGvJQClZE8" rel="nofollow noopener" style="background-color: white; color: #385898; cursor: pointer; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; text-decoration-line: none; white-space: pre-wrap;" target="_blank">HoustonArtAdvisory.com</a><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">Houston Art Advisory is pleased to present as its Inaugural Exhibition Black Hole Sun: The Monochrome in Art, Curated by New York-based independent Curator and Writer Raul Zamudio.</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">The mixed-media exhibition of international artists takes its title from the eponymous song by Soundgarden. More than just homage to one of the most iconic bands to come out of Seattle’s Grunge music scene with its charismatic lead singer Chris Cornell, the exhibition explores the monochrome within the context of contemporary painting, sculpture, photography, video, installation, and performance-based work.</span><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><br style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;" /><span style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; white-space: pre-wrap;">The history of the monochrome is a colorful one beginning with the early twentieth-century Russian painter Kazimir Malevich and his other-worldly, Suprematist canvases, to the Neo-Plasticism of Dutch artist Piet Mondrian who was inspired by, among other things, the theosophy of Victorian spiritualist Helena Blavatksy, and on through Minimalism of the 1960s and Post-Minimalism at the end of the twentieth century. Today, there are few artists that work in a singular color or even a pared down palette, but it is a genre still practiced whose counterpart in contemporary culture is underscored in colloquialisms including “green with envy,” “red as a beet with anger,” and "blue with sadness." Not only are emotions conveyed through monochromatic metaphors but other euphemisms too: “heart of gold,” "yellow rain," “greenbacks,” etc. While the artworks in Black Hole Sun are formally unified by their restrained color and expressed in both pure abstraction and representational styles, their content is diverse in addressing a myriad of themes of a topical, historical, political, social, and/or personal nature.</span><div class="blogger-post-footer"><!-- Start of SimpleHitCounter Code -->
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-51213432524492074692019-06-07T10:01:00.001-04:002019-06-07T10:02:39.766-04:00Waiting for the Garden of Eden<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzj9WgyGzvyeiL3ZWu5F6wjHHNurkh39swkHfmeLQiBIzhFkeHt5l6br5A29wm9Vzd-Nc23s81YWGA3_yTMKK0PnDdFBv8BYhXDSXEmCOhFDiMmdwryCngi_3G1FJfgjiiKRKfuw/s1600/54194770_10156639880212529_5398219440858857472_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="324" data-original-width="826" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzj9WgyGzvyeiL3ZWu5F6wjHHNurkh39swkHfmeLQiBIzhFkeHt5l6br5A29wm9Vzd-Nc23s81YWGA3_yTMKK0PnDdFBv8BYhXDSXEmCOhFDiMmdwryCngi_3G1FJfgjiiKRKfuw/s320/54194770_10156639880212529_5398219440858857472_n.jpg" width="320" /></a></div>
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<strong style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: x-small;">WAITING FOR THE GARDEN OF EDEN</span></strong></h1>
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<strong style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: x-small;">CURATED BY RAUL ZAMUDIO AND JUAN PUNTES</span></strong></h3>
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<strong style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: x-small;">MARCH 30TH THROUGH MAY 5TH, 2019</span></strong></h3>
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<strong style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: x-small;">OPENING RECEPTION: SATURDAY, MARCH 30TH, 4-7PM</span></strong></h3>
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<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Waiting for the Garden of Eden</em> is a multi-media group exhibition that culls its title from Pedro Pietri’s iconic <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Puerto Rican Obituary</em> (1973), and inaugurates White Box’s new exhibition space in East Harlem. The stanza is part of Pietri’s performance poem that revolves around a Puerto Rican family in East Harlem that endlessly confronts inequalities succinctly phrased in which the family “All died yesterday, today, and will die again tomorrow.”</div>
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<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Puerto Rican Obituary</em> is a timely work and pertinent to use as curatorial foil to topically explore some 46 years later, the changing demographic of East Harlem, New York City, and to a larger extent the USA. Rather than dovetailing only on the challenges the family faces in Pietri’s poem, <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Waiting for the Garden of Eden</em> expands this to flesh out realities that immigrants face transnationally and American citizens of color negotiate locally within the shifting parameters of East Harlem, New York City, and the broader USA. Gentrification, identity, globalization, and socioeconomic disparity are just some of the points of thematic departure in the exhibition that are formally articulated via painting, sculpture, work-on-paper, photography, video, sound art, and performance. <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Waiting for the Garden of Eden</em> will be supplemented throughout its exhibition run by performances, panel discussions, and readings.</div>
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<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Waiting for the Garden of Eden</em> features works by Yelaine Rodriguez, Arnaldo Morales, Tania Candiani, Nayda Collazo-Llorens, Edwin Torres, Arleene Correa Valencia, Yucef Merhi, Monica Rodriguez, Jorge Tacla, Charles Juhasz-Alvarado, Blanka Amezkua, Edgar Serrano, Eduardo Gil, Alicia Grullón, Leonardo Madriz, Ruben Natal-San Miguel, Bernardo Navarro Tomas, Risa Puno, and Norma Vila <span data-offset-key="6tq4b-0-0" style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Rivero, and Chico MacMurtrie.</span></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-46317663407050009012019-01-15T10:07:00.001-05:002019-01-15T14:34:54.398-05:00Roi Vaara: I Did It My Way<div style="background-color: white; color: #1d2129; font-family: system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; margin-bottom: 6px; margin-top: 6px; text-align: center;">
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[installation view of exhibition] </div>
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Roi Vaara: I Did It My Way<br />
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One night only, 6-8pm, 11/23/18, Empty Circle, 499 3rd Ave. Brooklyn, NY. Nearest Subway stop: F, G or R trains to 4th ave/9th st. Free and open to the public. A Proyectos Raul Zamudio/Bureau of Curatorial Affairs production with support from the Empty Circle <a href="https://www.emptycirclespace.com/artraulzamudiocurator/" target="_blank">https://www.emptycirclespace.com/artraulzamudiocurator/</a></div>
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Internationally acclaimed performance artist Roi Vaara makes rare New York City appearance. The evening begins with a 6 pm reception and presentation of a carefully curated selection of videos and performance documentation that surveys Vaara's 500+ performances in over 50 countries. Following this will be a live performance by Roi Vaara. </div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-56721685733292057642018-11-18T09:10:00.001-05:002018-11-18T09:12:39.176-05:00Everything and Nothing<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Dj8Y65yfTbC8oUViee5A4swkI-bQLPZxmsJFNIWNnhs6XVDRIEorBFZeLIt1ZqGlh5-GUXPIw-1q1JUMNIXZT2v0Ywu4dQoaziOFFa5xMuVqhN8sKgsfEYptIkFkwCOdF4c7YQ/s1600/Everything+and+Nothing.Enneagram.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Dj8Y65yfTbC8oUViee5A4swkI-bQLPZxmsJFNIWNnhs6XVDRIEorBFZeLIt1ZqGlh5-GUXPIw-1q1JUMNIXZT2v0Ywu4dQoaziOFFa5xMuVqhN8sKgsfEYptIkFkwCOdF4c7YQ/s320/Everything+and+Nothing.Enneagram.jpg" width="320" /></a></div>
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Curated by Raul Zamudio</div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-55554213717019788422018-11-12T14:25:00.003-05:002018-11-12T14:25:40.561-05:00White Anxieties<div class="separator" style="clear: both; text-align: center;">
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<span style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">September 21-October 13, 2018</span></div>
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<span style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Curated by Raul Zamudio and Juan Puntes with Peter Wayne Lewis</span></div>
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Since the twenty-first century, the U.S. seems to be in a state of accelerated social transformation and this has been cause for alarm for many conservative, White Americans. One of the most notable benchmarks of these changes is Barack Obama’s election as America’s first African-American president. Researchers also predict that in the coming decades, Latinos/Hispanics will be the largest demographic in the U.S. superseding the current White majority. Other communities that have been historically marginalized and now ostensibly asserting their rights including LGBTQ, have added to the perception that we are living in a different America than in the past. Another phenomenon altering the American social landscape is the influx of immigrants that some construe as potentially usurping the purported dominant culture and its traditions. Even Donald Trump’s campaign slogan of Make America Great Again, subliminally harks back to a reactive era of intolerance and exclusivity.</div>
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White Anxieties is a mixed media, international group exhibition that takes the pulse of what haunts the conservative, American psyche. That is, an anxiety-inducing America that is less white, heterosexual, and male, and where other languages than English are spoken and where People of Color can openly express their cultural traditions without accusations of not being “real” Americans. Some works in the exhibition, for example, address the dismantling of Confederate monuments, the problematics of assimilation, and xenophobia’s prevalence while others target the most disturbing manifestation of American socio-political regression and of an America historically unresolved: David Duke and acolytes who run for political office while attempting to normalize their racial supremacist ideology.</div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-28090478181710568622017-10-25T06:15:00.001-04:002018-04-11T07:27:39.123-04:00Rent Is Too Damn High<div class="separator" style="clear: both; text-align: center;">
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Rent Is T<span style="letter-spacing: -0.12px;">oo Damn High</span></div>
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Curated by Roma Primitivo Albear and Raul Zamudio<br />
The Apartment<br />
Apt.4S, 23 Avenue B, NY, NY<br />
Opening October 18, 2017, 6-9pm<span class="text_exposed_show" style="display: inline; font-family: inherit;"><br />October 18-22, 2017</span></div>
<div class="text_exposed_show" style="background-color: white; color: #1d2129; display: inline; font-family: "SF Optimized", system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 14px; letter-spacing: -0.12px;">
<div style="font-family: inherit; margin-bottom: 6px;">
Artists: Diogenes, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1281685854&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/julia.s.martin.7?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Julia San Martin</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=567746470&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/avelino.sala?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Avelino Sala</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=723481857&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/damian.ontiveros.73?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Damian Ontiveros</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100001631085329&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/aaron.burrsociety?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Aaron Burr-Society</a>, Claudia <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100001062508829&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/claudia.doringbaez?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Baez</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=504156102&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/adolfo.doring?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Adolfo Doring</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1245320737&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/stefanocagol?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Stefano Cagol</a>, Emma McCagg, Revjen Miller, Hawk Alfredson, Clayton Patterson, Agni Zotis, Toyo Tsuchiya, Rona Lebbo, Katya Zvereva, Daniel Sanchez, Nick McManus, Fly, Destiny Mata, Asya Stepanova, Russel Murphy, Roman Alver, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100000005071934&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/yasira.nun?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Yasira Nun</a>,<a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=724302758&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/riikosakkinen?fref=mentions" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;">Riiko Sakkinen</a>, Marlis Momber, Antony Zito, Aubrey Roemer</div>
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<br />
Power Imagination Secret Society and Bureau of Curatorial Affairs are pleased to present Rent Is Too Damn High!, curated by Roman Primitivo Albear and Raul Zamudio.</div>
<div style="font-family: inherit; margin-bottom: 6px; margin-top: 6px;">
Updating the platform of New York City’s independent political party by which the exhibition culls its title, Rent Is Too Damn High! is an exhibition of international artists that work in painting, work-on-paper, sculpture, installation, photography, video, and performance.</div>
<div style="font-family: inherit; margin-bottom: 6px; margin-top: 6px;">
While the eponymous political party’s mandate was to reveal the ongoing displacement of communities in the wake of New York City’s real estate boom, Rent Is Too Damn High! expands these concerns to encompass other indirectly related issues that are of a global as well as a local nature. In doing so, Rent Is Too Damn High! comments on how transnational politics effects the social life of a neighborhood and vice versa. This symbiosis is easily discerned in the current U.S. presidential administration in which some of its members are both landlords in the greater New York City area and agents in policies negatively impacting the world-at-large. Further underscoring this dynamic is an art exhibition whose venue itself is in the ensuing battle of gentrification: in an apartment in New York City’s Losaida community.</div>
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Thanks to Cornerstone Cafe for their support of Rent Is Too Damn High!</div>
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[photo: Destiny Mata]</div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-13546055869950566902017-10-01T17:39:00.001-04:002017-10-01T17:39:19.870-04:00The Border Pavilion<div class="separator" style="clear: both; text-align: center;">
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<i style="mso-bidi-font-style: normal;"><span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">The Border Pavilion<o:p></o:p></span></i></div>
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<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">Curated by Raul Zamudio<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: left;">
<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">29-09-01-10<o:p></o:p></span></div>
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<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">Part of Jeannette Doyle CF
Project<o:p></o:p></span></div>
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<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">Research Pavilion, Venice,
Italy<o:p></o:p></span></div>
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<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">Artists: Anney Bonney, Robert
Boyd, Stefano Cagol, Shahram Entekhabi<b style="mso-bidi-font-weight: normal;">,</b>
Scherezade Garcia <o:p></o:p></span></div>
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<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-fareast-font-family: "\.SFNSText-Regular";">Ferran Martin, Cleverson
Oliveira, Damian Ontiveros, Nadja Verena Marcin, Rikko Sakkinen, Avelino Sala, Julia
San Martin, Teresa Serrano, Celia Elsamieh Shomal, Daniel Silvo, S et P
Stanikas, Carlo Zanni<o:p></o:p></span></div>
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<div style="text-align: center;">
<span style="background-color: white; color: #1d2129; font-size: 12pt; letter-spacing: -0.1pt;">“I saw all the mirrors on
earth and none of them reflected me” </span></div>
<span style="background: white; color: #1d2129; letter-spacing: -.1pt; mso-bidi-font-family: Calibri;"><div style="text-align: center;">
<span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; letter-spacing: -0.1pt;">―</span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; letter-spacing: -0.1pt;"> Jorge Luis Borges, The
Aleph and Other Stories</span></div>
</span><br />
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<div class="MsoNormal">
The Border Pavilion is a program of video works by international
artists that focus on the global geopolitics of the border. As a component of
the Research Pavilion’s thematic of engaging the Venice Biennial model of
national representation in order to question the politics of its exhibition structure,
The Border Pavilion extends this framework by encompassing what Edward Soja conceptualized
as “ThirdSpace” and Homi Bhabha’s notion of the interstitial regarding agency
in the wake of post-colonialism. That is to say, a social space and
subjectivity that is syncretic and protean and foundational for an empowered
and emancipatory political imaginary. <span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
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<o:p>[</o:p><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;">The Immigration sign </span><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;">is an </span><a class="mw-redirect" href="https://en.wikipedia.org/wiki/United_States_Numbered_Highways" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="United States Numbered Highways">American highway</a><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"> </span><a href="https://en.wikipedia.org/wiki/Road_traffic_safety" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="Road traffic safety">safety sign</a><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"> warning motorists to avoid </span><a href="https://en.wikipedia.org/wiki/Immigration_to_the_United_States" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="Immigration to the United States">immigrants</a><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"> darting across the road. It depicts a man, woman, and child with pigtails running. The signs were erected in response to over one hundred immigrant deaths due to traffic strikes from 1987 to 1990 in two corridors along </span><a href="https://en.wikipedia.org/wiki/Interstate_5_in_California" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="Interstate 5 in California">Interstate 5</a><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"> along the </span><a href="https://en.wikipedia.org/wiki/San_Ysidro_Port_of_Entry" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="San Ysidro Port of Entry">San Ysidro Port of Entry</a><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"> at the </span><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Mexico-United_States_border" style="background: none rgb(255, 255, 255); color: #0b0080; font-family: sans-serif; font-size: 14px; text-decoration-line: none;" title="Mexico-United States border">Mexico-United States border</a><span style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"> ]</span></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-67289122312563913702017-09-18T22:55:00.001-04:002017-09-19T07:50:38.375-04:00Orphans of Painting<div class="MsoNormal">
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Orphans of Painting</i></b><o:p></o:p></div>
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Curated by Raul Zamudio<o:p></o:p></div>
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Opening September 14, 6:00-8:00pm <o:p></o:p></div>
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<div style="text-align: center;">
September 14-October 14, 2017</div>
</div>
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<div style="text-align: center;">
<a href="https://www.ecfa.com/ny-exhibitions" target="_blank">Ethan Cohen Fine Arts</a><br />
251 w 19th St. NY, NY, 10011</div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnXONbqCos2uA7iQQN6BxCQDBdgeDaJVhiLm0Ye09PZ76S0fVGx05usZu-2hMBSBxYv6_F2-h_4_Q-NMt1WhG-R0V3eHD3mkhOggTCh0iqY5qjeRXroyUIggc5_mCyseHOiWrtdg/s1600/breaking_01_800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="433" data-original-width="780" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnXONbqCos2uA7iQQN6BxCQDBdgeDaJVhiLm0Ye09PZ76S0fVGx05usZu-2hMBSBxYv6_F2-h_4_Q-NMt1WhG-R0V3eHD3mkhOggTCh0iqY5qjeRXroyUIggc5_mCyseHOiWrtdg/s400/breaking_01_800.jpg" width="400" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">(Elan Jurado, <i>Black Spew</i>, HD video with audio, 10 min 1 sec. 2010)</span></div>
</div>
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<i style="mso-bidi-font-style: normal;">Orphans of Painting </i>is
an exhibition of international artists who, on the one hand, may identify first
and foremost as painters but expand their practice into other formal registers creating
hybridized art forms somewhat disparate from their primary medium. Evincing
this is the painter German Tagle whose appropriation of Andrew Wyeth’s <i style="mso-bidi-font-style: normal;">Christina </i>is morphed into a wall painting
with audio extract from David Lynch’s <i style="mso-bidi-font-style: normal;">Lost
Highway. </i>This work raises an interesting ontological question: is it a wall
painting with auditory element or is it a sound work with visual component? <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
In contrast are other artists in the exhibition who are not
painters per se, but work in a variety of media and their participation
includes work that conceptually veer towards painting but from another formal
point of departure. Exemplary of this is Kay Rosen’s video titled <i style="mso-bidi-font-style: normal;">Blue Monday </i>(2015). Known for her text-based
works and installations, Rosen’s contribution underscores language’s imagistic
quality or in this case the work’s title alluding to music via synesthesia
while underscoring the monochrome’s capacity to evoke emotion; e.g. green with
envy, red with anger etc. <span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<br /></div>
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The subject matter in the individual works comprising <i style="mso-bidi-font-style: normal;">Orphans of Painting </i>may be topical,
historical, or personal, but what unifies them is a politics of form,
specifically usurping the rhetoric of medium specificity and in the process
extending painting into different areas as well as its retrieval by other media
including sculpture, photography, video, performance and installation. In doing
so, the artworks presented embody well what is poetically referred to in the
exhibition’s title; that is to say, they are artistic orphans of sorts with an
ostensibly corrupted and mongrel pedigree, but nothing that can be identified as
being singularly derived from easel and canvas. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Isaac Aden<o:p></o:p></div>
<div class="MsoNormal">
Bik van Der Pol<o:p></o:p></div>
<div class="MsoNormal">
Claudia Baez<o:p></o:p></div>
<div class="MsoNormal">
Ryan Brown<o:p></o:p></div>
<div class="MsoNormal">
Armand Boua<o:p></o:p></div>
<div class="MsoNormal">
Robert Costello<o:p></o:p></div>
<div class="MsoNormal">
Deshawn Davis<o:p></o:p></div>
<div class="MsoNormal">
Martin Durazo</div>
<div class="MsoNormal">
Andrea Frank<o:p></o:p></div>
<div class="MsoNormal">
Jeffrey Hargrave<o:p></o:p></div>
<div class="MsoNormal">
Elan Jurado<o:p></o:p></div>
<div class="MsoNormal">
Yayoi Kusama<o:p></o:p></div>
<div class="MsoNormal">
Despo Magoni<o:p></o:p></div>
<div class="MsoNormal">
Fabian Marccacio <o:p></o:p></div>
<div class="MsoNormal">
Ferran Martin<o:p></o:p></div>
<div class="MsoNormal">
Emma McCagg</div>
<div class="MsoNormal">
Anna<span style="mso-spacerun: yes;"> </span>Navasardian<o:p></o:p></div>
<div class="MsoNormal">
Kay Rosen<o:p></o:p></div>
<div class="MsoNormal">
Avelino Sala<o:p></o:p></div>
<div class="MsoNormal">
Julia San Martin<o:p></o:p></div>
<div class="MsoNormal">
Riiko Sakkinen<o:p></o:p></div>
<div class="MsoNormal">
German Tagle<o:p></o:p></div>
<div class="MsoNormal">
Jon Tsoi<o:p></o:p><br />
Ai Weiwei</div>
<div class="MsoNormal">
Julia Winter<o:p></o:p></div>
<div class="MsoNormal">
Guan Yinfu <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-15161815650998532682017-09-02T10:36:00.001-04:002017-09-02T10:36:38.413-04:00Julia San Martin: Dialogos<div class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Julia San Martin: Diálogos<span style="mso-spacerun: yes;"> </span><o:p></o:p></i></b></div>
<div class="MsoNormal" style="text-align: center;">
Curated by Raul Zamudio<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
July 18-August 1, 2017<o:p></o:p></div>
<div class="MsoNormal" style="text-align: center;">
Y Gallery, New York, NY<o:p></o:p></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyAcRNeeGec4BxVdTCAVEnLVqYxV99pA6Xn_S1M-EyjATO1cNxXpfVTS8XI-ttKQhLJZn83Kp9BB3hgBgN-X45wajHTKu5ozlpjw74x2bIYovoKn98p2NvtyZq4-gz4MCDlB_1Mg/s1600/JULIASMThumbnailExhibition2017.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="750" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyAcRNeeGec4BxVdTCAVEnLVqYxV99pA6Xn_S1M-EyjATO1cNxXpfVTS8XI-ttKQhLJZn83Kp9BB3hgBgN-X45wajHTKu5ozlpjw74x2bIYovoKn98p2NvtyZq4-gz4MCDlB_1Mg/s320/JULIASMThumbnailExhibition2017.jpg" width="320" /></a></div>
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<i style="mso-bidi-font-style: normal;">Julia San Martin: Diálogos</i>,
is a solo exhibition by the internationally exhibited Chilean artist consisting
of painting, photography, video, installation and a combination of these. The dialogical
in the exhibition’s title is manifold and one aspect entails artworks presented
within the gallery as well as inserted in various sites around the city: a
park, a restaurant, a subway station and so forth. As such, the artworks can be
construed as a type of street art on the one hand, but they are also what one
would find in a gallery or a museum. The inverse is equally as idiosyncratic:
as artworks in a gallery do they elide their previous contexts originating in
public spaces, or have they now become deified objects made so through the
machinations of the art world’s infrastructure of critics, curators, museums,
art fairs, the market, and most imperatively the gallery? Furthermore, the
artworks’ individual subject matter evokes a dialogism in being topical and rife
with commentary about the social and political conditions of the world we live
in.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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Many of the artworks ostensibly incorporate recurring
figures as both a unifying formal device and conceptual trope. Often the images
seem to converse with each other or with the viewer through the use of pronouns
in textual elements found in the artworks. Lastly, as an artist who holds dual
Chilean and U.S. citizenship and who was affected by September 11, which is to
say, both the World Trade Center Attacks and the day of the U.S. backed
overthrow of the Allende government by a military junta, <i style="mso-bidi-font-style: normal;">diálogos</i> also consists of a conversation of the past with the present
and vice versa. <span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-56689586499838811952017-01-05T18:22:00.003-05:002017-01-05T18:32:31.589-05:00FISH STORY/Video Selections<div class="separator" style="clear: both; text-align: center;">
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-16164311053376632932016-09-25T14:16:00.002-04:002016-10-26T09:15:45.139-04:00Acts of Sedition<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwwUqcxvh_3MQGgdcIkNbYAwNllPB9b3fLxEHdAFiFhWWFlQPECmo8ss84A3rxDlE8vkXZ3_T5Z4_S_YmekogXpJS1VlPD4H6cLNO-P0wYjXzzbHpsGQOMrxHeIxlDnicHSVBlnw/s1600/13935086_10154190059217529_4852676351826364300_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwwUqcxvh_3MQGgdcIkNbYAwNllPB9b3fLxEHdAFiFhWWFlQPECmo8ss84A3rxDlE8vkXZ3_T5Z4_S_YmekogXpJS1VlPD4H6cLNO-P0wYjXzzbHpsGQOMrxHeIxlDnicHSVBlnw/s400/13935086_10154190059217529_4852676351826364300_n.jpg" width="400" /></a></div>
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<span style="font-size: x-small;"><span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; line-height: 18px; text-align: left;">Kyle Goen, <i>New Flag of Iraq (Interim)</i>, repurposed American flag and screen printing ink (unique)</span></span></div>
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<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; line-height: 18px; text-align: left;"><span style="font-size: x-small;">51" x 85.5", 2010</span></span><br />
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<span style="color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; line-height: 18px; text-align: left;"><span style="font-size: x-small;"><span style="background-color: white; font-family: "san francisco" , , "blinkmacsystemfont" , ".sfnstext-regular" , sans-serif; font-size: 14px; letter-spacing: -0.24px;">Due to the passing of my dear friend and colleague Adolfo Doring, an artist who has exhibited at WhiteBox and in other venues I had the honor to work with, there is a rescheduling of the opening of Acts of Sedition at WhiteBox to Friday, October 21st in order to attend his services. I hope you can join us in remembrance of his art and life on Thursday, October 20 7-9pm at 1076 Madison Avenue between 81st and 82nd aves, NYC</span></span></span></div>
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<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Acts of Sedition</em> is a multi–media exhibition of international artists that indirectly takes its cue from two previous WhiteBox shows that addressed different facets of the U.S. elections. <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Sedition </em>(2008) paralleled the general election leading to President Obama’s first term, while <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">#makamericagreatagain </em>(2016) was prescient in focusing on the primaries and subsequent emergence of Donald J. Trump who is now the 2016 Republican Presidential nominee. Whereas <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Sedition</em> took the pulse of the national political climate,<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">#makeamericagreatagain </em>was more partisan as well as incorporating social media as a curatorial strategy.<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Acts of Sedition</em> is like a third party, for it takes the aforementioned exhibitions as a point of departure but extends their thematic concerns to the contemporary world–at-large yet linking international geo-political strife to the U.S. political landscape and forthcoming Presidential elections. Artworks to be exhibited that underscore this, for example, include Carlos Aires’ collaged dollar bills.These works consist of currency that have been superimposed with imagery of Iraqi war dead in coffins draped in American flags as well as homeless individuals.<br />
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On one level the work may be construed as questioning U.S. war policies and economic disparity, however because money is traded in transnational financial markets whose value can fluctuate according to global events, Aires’ work reveals the symbiosis of local, national and international politics. Another work that highlight’s an aspect of the exhibition’s foci is Dread Scott’s <em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">A Black Man Was Hung By Police Yesterday</em> (2015). Taking the form of a flag, Scott’s sculpture is meant to be displayed in public and is based on a similar banner hung outside the offices of the N.A.A.C.P in Manhattan from 1920-38 to draw attention to lynching of African-Americans in the Jim Crow South. In the same manner that N.A.A.C.P. attempted to alert the public of the racial violence being inflicted on our fellow Americans, Scott’s updated version was to make people aware of the institutional violence inflicted on the African-American community by certain members of the police. The work forces us to think of how the horrors of the past are still with us today but under different guises producing the same atrocious results: unabated racial violence that is seemingly institutionalized.</div>
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<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Acts of Sedition </em>argues that although sedition in colloquial nomenclature refers to subversive acts by individuals towards institutions of power, what has now manifested are acts of treason by those same entities against a myriad of communities and even the sacrosanct ideals that has made the U.S. a beacon and haven for tolerance, inclusivity, freedom and democracy. Violence against the African-American community, xenophobia, attempts to repeal Roe vs Wade, sexual orientation and transgender discrimination, the dominance of Superpacs in our political infrastructure that buy politicians and elections are just a few of the many acts of sedition by antidemocratic and authoritarian forces that this exhibition pushes against.</div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-835920525226215502016-09-25T14:10:00.003-04:002016-09-25T14:19:36.750-04:00FISH STORY<br />
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<span style="background-color: white; color: #1d2129; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 19.32px;"><i>Fish Story,</i> curated by Raul Zamudio, is an exhibition of international artists who work in painting, work-on-paper, sculpture, photography, video, and installation. The exhibition’s title is culled from Allan Sekula’s 1995 eponymous multimedia artwork. Sekula’s project explored the machinations of globalization through the geopolitics of trade at the nexus of the international shipping industry. <i>Fish Story </i>revisits Sekula’s iconic corpus within different contexts twenty-one years later. As part of Contempo 2016: International Contemporary Art Festival in which art exhibitions will be presented in the city of Varna and in shipping containers on the shores of the Black Sea, <i>Fish Story</i> will be thematically opportune.</span><br />
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-62361170230654197462016-08-22T16:44:00.001-04:002016-08-22T16:44:40.711-04:00INFERNO/PT II<div class="separator" style="clear: both; text-align: center;">
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-4507953400371876062016-06-15T13:10:00.000-04:002016-07-15T01:54:39.651-04:00INFERNO /PT I<div class="separator" style="clear: both; text-align: center;">
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<span style="color: red;">INFERNO PT I</span></div>
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curated by Raul Zamudio</div>
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June 24- August 10 2016</div>
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Pristine Galerie, Monterrey, Mexico</div>
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Jaishri Abichandani/USA/India<o:p></o:p></div>
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Kader Attia/Germany/Algeria<o:p></o:p></div>
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Brenda Charles/Mexico<o:p></o:p></div>
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Adolfo Doring/USA/Mexico<o:p></o:p></div>
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Shahram Entekhabi/Germany/Iran<o:p></o:p></div>
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Kendell Geers/Germany/South Africa<o:p></o:p></div>
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Ivaylo Hristov/Bulgaria<o:p></o:p></div>
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Kenneth Tin-Kin Hung/USA<o:p></o:p></div>
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Gabriel Johann Kvendseth/Norway<o:p></o:p></div>
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Yolanda Leal/Mexico<o:p></o:p></div>
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Julia San Martin/Chile<o:p></o:p></div>
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Damian Ontiveros/Mexico<o:p></o:p></div>
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Juan Carlos Granados/Mexico<o:p></o:p></div>
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Ruben Verdu/Spain<o:p></o:p></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-12875159789641630102016-06-14T10:41:00.002-04:002016-06-18T11:00:24.442-04:00Under A Black Sun<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPsWxI7jv784WGi1El2nIiWDkRZzTKm0R-glE1nAOT3J18sJNPRjDkxzLswzC6g6HHrxlVqTe-LBiYfXOdRo3jmELGij84OHMZ9W0-AhT4xyV8kHz3KDZk9WkSE8yh0qN5WAnb7Q/s1600/Under+a+Black+Sun.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPsWxI7jv784WGi1El2nIiWDkRZzTKm0R-glE1nAOT3J18sJNPRjDkxzLswzC6g6HHrxlVqTe-LBiYfXOdRo3jmELGij84OHMZ9W0-AhT4xyV8kHz3KDZk9WkSE8yh0qN5WAnb7Q/s320/Under+a+Black+Sun.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br class="Apple-interchange-newline" />
<i><b>Under A Black Sun</b></i></div>
<div style="text-align: center;">
May 26- June 13, 2016</div>
<div style="text-align: center;">
curated by Raul Zamudio</div>
<div style="text-align: center;">
Bergen Kjott, Bergen, Norway<br />
<br />
<div class="MsoNormal">
Jaishri Abichandani/USA/India<o:p></o:p></div>
<div class="MsoNormal">
Stefano Cagol/Italy<o:p></o:p></div>
<div class="MsoNormal">
Adolfo Doring/USA/Mexico<o:p></o:p></div>
<div class="MsoNormal">
Shahram Entekhabi/Germany/Iran<o:p></o:p></div>
<div class="MsoNormal">
Andrea Frank/USA/Germany<o:p></o:p></div>
<div class="MsoNormal">
Emma McCagg/USA<o:p></o:p></div>
<div class="MsoNormal">
Romulo Sans/USA/Spain<o:p></o:p></div>
<div class="MsoNormal">
Edgar Serrano/USA<o:p></o:p></div>
<div class="MsoNormal">
S & P Stanikas/France/Lithuania<o:p></o:p></div>
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Torild Stray/Norway<o:p></o:p></div>
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Wojtek Ulrich/USA/Poland<o:p></o:p></div>
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Abdul Vas/Spain<o:p></o:p></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-34234984451558969162016-02-13T08:17:00.004-05:002016-02-25T14:12:55.306-05:00The Enemy Within<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw09NzeaI-Z6tzdzy8xo823tfnh3lw3epksCpgRmb2zKOuWA34ebr7rPMCfLqeRAADuwqASs2KrQC4_vgpSCLgOrYdYg7JzyTsJpk6YI6degoJ2m4q9I1UKmVjZc9gJyjXUfSwRw/s1600/The+Enemy+Within.1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw09NzeaI-Z6tzdzy8xo823tfnh3lw3epksCpgRmb2zKOuWA34ebr7rPMCfLqeRAADuwqASs2KrQC4_vgpSCLgOrYdYg7JzyTsJpk6YI6degoJ2m4q9I1UKmVjZc9gJyjXUfSwRw/s400/The+Enemy+Within.1.jpg" width="400" /></a></div>
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<span style="font-size: x-small;">(partial installation view)</span></div>
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<i style="mso-bidi-font-style: normal;"><br /></i></div>
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<i style="mso-bidi-font-style: normal;">The Enemy Within<o:p></o:p></i></div>
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Curated by Raul Zamudio<o:p></o:p></div>
<div class="MsoNormal">
February 6-April 6, 2016<o:p></o:p></div>
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Opening February 6, 5pm</div>
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<a href="http://www.proyectosarea.com/#!upcoming-exhibitions/crb7">Area Lugar de Proyectos</a></div>
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Caguas, Puerto Rico<br />
<br />
<span style="color: #404040; font-family: Arial, 'ms pゴシック', 'ms pgothic', 돋움, dotum, helvetica, sans-serif; font-size: 13px;">Artists: Jaishri Abichandani (USA/India), Luis Alonzo-Barkigia (USA/Mexico), Oreet Ashery (UK), Claire Fontaine (France), Martin Durazo (USA), Andrea Frank (USA/Germany), Kendell Geers (South Africa), Lazaro Juan (USA/Philippines), Despo Magoni (USA/Greece), Ferran Martin (USA/Spain), Emma McCagg (USA), Riiko Sakkinen (Spain/Finland), Romulo Sans (USA/Spain), Joaquin Segura (Mexico), Edgar Serrano (USA), </span><br />
<span style="color: #404040; font-family: Arial, 'ms pゴシック', 'ms pgothic', 돋움, dotum, helvetica, sans-serif; font-size: 13px;">S & P Stanikas (France/Lithunia), Sari Tervaniemi (Finland), Mehran Tizkar (Germany/Iran), Wojtek Ulrich (USA/Poland),Ruben Verdu (Spain/Venezuela), Adolfo Doring (USA/Mexico).</span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;">The Enemy Within</i> is a metaphor that has been used in various
contexts. A quick Google search will reveal a broad array of its application including
a Star Trek segment in which Capt. Kirk is teleported through a transporter. Upon
materialization he is split into two persons: one good and one evil. <span style="mso-spacerun: yes;"> </span>The exhibition’s title also encompasses a book
by a political conservative, a fictional film about treason and murder in the American
government, and a documentary about “homegrown” terrorism in the U.S. What all
of these adaptations of The Enemy Within share is a narrative of internal
crisis of moral proportions. <o:p></o:p></div>
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<br /></div>
<div class="MsoNormal" style="tab-stops: 220.5pt 5.25in;">
<i style="mso-bidi-font-style: normal;">The Enemy Within </i>is a group exhibition of international artists who
work in diverse media including painting, work-on-paper, sculpture,
photography, video, and installation. The artworks presented dovetail, akin to
Kirk’s crisis of conscience, on internal and external contradictions in both
subject matter and form. Some artists, like Kendell Geers for example, uses
footage from the World Trade Center attacks and juxtaposes it with Rene
Magritte’s famous <i style="mso-bidi-font-style: normal;">Treason of Images </i>(1928-29)
painting consisting of a tobacco pipe with text underneath it that states, Ceci
n’est pas une pipe [This is not a pipe]. <i style="mso-bidi-font-style: normal;">The
Enemy Within </i>explores the paradoxical and contradictory nature of events,
history, politics and the social world-at-large to reveal how they are internally
and externally conflicted.<o:p></o:p><br />
<br />
<span style="color: #404040; font-family: Arial, 'ms pゴシック', 'ms pgothic', 돋움, dotum, helvetica, sans-serif; font-size: 13px;">The Enemy Within" curada por Raul Zamudio es una exposición colectiva de artistas internacionales que trabajan en diversos medios, incluyendo la pintura, obra sobre papel, escultura, fotografía, vídeo e instalación. Las obras seleccionadas son una representacion interna y externa de contradicciones tanto en la materia y la forma. Algunos artistas, como Kendell Geers por ejemplo, utiliza imágenes de los ataques al World Trade Center y yuxtapone sobre la imagen la famosa traición de Rene Magritte, pintura que consiste en una pipa de tabaco con el texto debajo de ella que dice: Ceci n'est pas une pipe [Esto no es una pipa]. </span><br />
<br />
<a href="http://www.proyectosarea.com/#!the-enemy-within/akmuf" target="_blank">Partial Installation Views </a></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-48674077285896878522016-01-30T13:37:00.001-05:002016-02-13T08:22:53.846-05:00#makeamericagreatagain<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">#makeamericagreatagain</i><o:p></o:p></div>
<div class="MsoNormal">
curated by Raul Zamudio<o:p></o:p></div>
<div class="MsoNormal">
and Juan Puntes,<o:p></o:p></div>
<div class="MsoNormal">
co-curated by Blanca de la Torre</div>
<div class="MsoNormal">
WhiteBox, NY, NY</div>
<div class="MsoNormal">
February 1-21, 2016</div>
<div class="MsoNormal">
Opening February 1, 6:00-9:00pm </div>
<div class="MsoNormal">
<br /></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="text-align: center;">
<o:p> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyc8Fnx8tSGsdyxlpHKQisHX8BfINPJJLLWbV1J-MhVQavmviK1z39e2ahf9fOUfpOumAs5ifMgBNh02ve-G1P0fxQAjEMIPkKlMQ4INRyX8J64ZRpYWSRFwcPdf-lP2YMz56Ugg/s1600/SEGURA+h+hill+saps+72+dpi.jpg" imageanchor="1"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyc8Fnx8tSGsdyxlpHKQisHX8BfINPJJLLWbV1J-MhVQavmviK1z39e2ahf9fOUfpOumAs5ifMgBNh02ve-G1P0fxQAjEMIPkKlMQ4INRyX8J64ZRpYWSRFwcPdf-lP2YMz56Ugg/s400/SEGURA+h+hill+saps+72+dpi.jpg" width="400" /></a></o:p></div>
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<span style="font-size: x-small;">Joaquin Segura, <i>The Battle of Hamburger Hill</i>, McDonald's cheeseburgers and wrappers, toy U.S. flag, dimensions variable, 2008</span></div>
<br /></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>#makeamericagreatagain</i> is a group exhibition of diverse
media that will run during February and coincide with the initial Democratic
and Republican primaries.<span style="mso-spacerun: yes;"> </span>The
exhibition’s title is culled verbatim from Donald Trump’s campaign slogan. Appropriation
does not stop there, however, for <i>#makeamericagreatagain</i> thematically rubs up
against demagoguery prevalent in the current American social and political
landscape and rhetoric espoused by primary candidates to engender fear in the
American public. <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<br /></div>
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The appropriated hashtag also serves as curatorial device to
further expand the exhibition into social media. The exhibition-viewing public
and those not physically present to see the show, will be asked to upload
images or texts with the hashtag of #makamericagreatgain onto Twitter,
Instagram or Facebook. These contributions will become part of the exhibition
and will be interventions into existing social media sites with the same hashtag.
<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"><br /></span></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;">On February 1, Iowa-based artists under the cloak of journalism, will infiltrate the Iowa Republican Caucus and record the event live and transmit in real time via large projector and sound system into WhiteBox. </span></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-39361701989679202002015-11-14T10:04:00.003-05:002015-11-27T10:48:30.653-05:00Shape-Shifters<div class="MsoNormal">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgyc3Gh38ELGnx9NgSGGK6r2PQhmHlKGvU3Yt-Ng7fg_fgOzybqM0PFqS7Pw-sCCvHHIxMUoO_inCwiAl9HHoM8w9rKsxnSmWJaqOI084-i8rrva7U0TmBrK_DcMJAkeWcff3ftQ/s1600/Shape+Shifters.Bulgarian.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgyc3Gh38ELGnx9NgSGGK6r2PQhmHlKGvU3Yt-Ng7fg_fgOzybqM0PFqS7Pw-sCCvHHIxMUoO_inCwiAl9HHoM8w9rKsxnSmWJaqOI084-i8rrva7U0TmBrK_DcMJAkeWcff3ftQ/s400/Shape+Shifters.Bulgarian.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIkZaKqGRo_b14Ijem2xoL3Sw4nApiMj2c_nAqplEyinmeT4eHlbvaFQ0pNX_-j7uVUCYotVhZmre6IWuWLw37q41BkMhyphenhyphenZp4eLEHQsgkbYMok6sQKJguIKAAFbH2UWPedHohasA/s1600/Jaishri.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIkZaKqGRo_b14Ijem2xoL3Sw4nApiMj2c_nAqplEyinmeT4eHlbvaFQ0pNX_-j7uVUCYotVhZmre6IWuWLw37q41BkMhyphenhyphenZp4eLEHQsgkbYMok6sQKJguIKAAFbH2UWPedHohasA/s400/Jaishri.jpg" width="273" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Jaishri Abichandani, <i>Spock As Me</i>, digital photograph, 2011</span></div>
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<span style="font-size: x-small;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidKAaxjhbZFjNnfjtrFhghtso6Sr-nmqIAsIPy7gBadP1-7_lNogtfGHV-_0BSaJA3Gz0kcvTo_BiP1bokt_dznOSt7lhIV13LJpholbTEhdkaF5y9S0bH4aJxMpoQYFd5JRAtWg/s1600/Screen+shot+2015-11-12+at+8.29.09+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidKAaxjhbZFjNnfjtrFhghtso6Sr-nmqIAsIPy7gBadP1-7_lNogtfGHV-_0BSaJA3Gz0kcvTo_BiP1bokt_dznOSt7lhIV13LJpholbTEhdkaF5y9S0bH4aJxMpoQYFd5JRAtWg/s400/Screen+shot+2015-11-12+at+8.29.09+PM.png" width="400" /></a></div>
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<span style="font-size: x-small;">Lora Azza and Dimitri Dimov, <i>Rubik's Truth, </i>Rubiks Cube, acrylic, table, 2014</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: large;"><span style="color: #ea9999;">Shape</span>-<span style="color: blue;">Shifters</span></span><span style="font-size: 11pt;"><o:p></o:p></span></i></div>
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<span style="font-size: 14.6667px;">Curated by Raul Zamudio</span></div>
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<span style="font-size: 14.6667px;">Opening reception November 24</span></div>
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<span style="font-size: 11.0pt;">November 24-December 10, 2015</span></div>
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<span style="font-size: 11.0pt;">Bulart Gallery<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Varna, Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Artists:<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Jashri Abichandani/US/India<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Lora Azza/France/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Andriy Bazyuta/Ukraine<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Robert Baramov/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Dimitri Dimov/France/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Adolfo Doring/US/Mexico<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Olga
Georgieva/Austria/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Ivaylo Hristov/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Nestor Kovachev
/Austria/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Vladimir Ivanov/Bulgaria<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Emma McCagg/US<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Quintin Rivera
Toro/Spain/Puerto Rico<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Romulo Sans/US/Spain<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Paolo Vivian/Italy <o:p></o:p></span></div>
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<i><span style="color: black; font-family: "calibri"; font-size: 11.0pt;">Shape-Shifters </span></i><span style="color: black; font-family: "calibri"; font-size: 11.0pt;">explores the protean
nature of identity in numerous contexts as well as the way some artworks are
formally unstable in being hybrids of painting and sculpture or photography and
performance, for example. The exhibition explores this via a diverse group of
fourteen artists that work in various media including painting, work-on-paper,
photography, sculpture, video, installation, sound art, and performance.<o:p></o:p></span></div>
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<span style="color: black; font-family: "calibri"; font-size: 11.0pt;">Apart from the
individual works that uniquely address the exhibition thematic, its curatorial
structure shape- shifts too, for it initially entails the presentation of seven
foreign artists and one Bulgarian artist. The first Bulgarian artist will
then select another Bulgarian artist to replace a foreign artist. The
substitution of a foreign artist with Bulgarian artist will occur in increments
throughout the exhibition’s duration, so every other day there will be a new
group of artworks. </span></div>
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<span style="color: black; font-family: "calibri"; font-size: 11.0pt;"><br /></span></div>
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<span style="color: black; font-family: "calibri"; font-size: 11.0pt;">The exhibition will end with the inverse of how it began;
that is, with a completely new presentation of artists consisting of seven
Bulgarian artists and one foreign artist. This component of <i>Shape-Shifters</i> ontologically expands curatorship, the role of the artist, and the exhibition
viewer’s experience. <o:p></o:p></span></div>
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<span style="color: black; font-family: "calibri"; font-size: 11.0pt;">As such, <i>Shape-Shifters </i>will
be inherently paradoxical; at what point can the exhibition be complete: when
it opens, during its presentation, or when it reaches its termination date?<o:p></o:p></span></div>
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<span style="color: black; font-family: "calibri"; font-size: 11.0pt;">A catalog will be
published to accompany the exhibition with reproductions of exhibited artworks,
bios of the artists and artists’ statements, installation shots recording the
exhibition’s transformation and an essay by the curator.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-30331011459085889182015-07-08T23:51:00.000-04:002015-07-18T11:33:15.644-04:00DUST/POLVO<div style="text-align: center;">
<i><b><span style="font-size: large;">DUST/POLVO</span></b></i></div>
<div style="text-align: center;">
An Art/Curatorial Project</div>
<div style="text-align: center;">
by Daniel Silvo and Raul Zamudio</div>
<div style="text-align: center;">
August 6-15, 2015</div>
<div style="text-align: center;">
<span style="color: red;"><span style="background-color: white; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 21.466667175293px; text-align: left;">7,500 years of history, 1685 miles, 5 artists, 4 artworks, 4 states, 2 countries, 2 videographers,</span><span class="text_exposed_show" style="background-color: white; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 21.466667175293px; text-align: left;"><br />and 1 curator....</span></span><br />
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 21.466667175293px; text-align: left;"><br /></span>
<br />
<div style="text-align: justify;">
<span style="color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18px; text-align: left;"><i><b>DUST/POLVO</b></i> is titled both in English and Spanish because of its bicultural and bi-geographical nature and is a nomadic, expe</span><span class="text_exposed_show" style="color: #141823; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18px; text-align: left;">rimental project that entails the interment of four artworks along the US/Mexico border.</span></div>
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; text-align: left;"></span><br />
<div style="text-align: justify;">
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; text-align: left;"><span style="font-size: 14px; line-height: 18px;"><br /></span></span></div>
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; text-align: left;">
<span class="text_exposed_show" style="display: inline;"></span></span>
<br />
<div style="font-size: 14px; line-height: 18px; text-align: justify;">
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; text-align: left;"><span class="text_exposed_show" style="display: inline;">One artwork will each be buried adjacent to the border in the states of California, Arizona, New Mexico, and Texas. Apart from burying the artworks, there will be video documentation which will be edited and shown as both a documentary and a shorter version to be incorporated as an art installation. </span></span></div>
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; text-align: left;"><span class="text_exposed_show" style="display: inline;">
</span></span><br />
<div style="font-size: 14px; line-height: 18px; text-align: justify;">
<span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; text-align: left;"><span class="text_exposed_show" style="display: inline;"><i><b>DUST/POLVO</b></i> <span style="font-family: Helvetica; font-size: 10.5pt;">operates on numerous fronts: one has to do with
the mechanisms that operate and define material and symbolic value in art and
its commodification, especially in regards to the market; another has to do
with notions of spectatorship; and another still is an ontological exploration
of authorship, art-making, and curating; but maybe the most topical dimension of the project
in regards to the politically contested US/Mexico border, is that the artworks
are authored by Mexican artists either living in Mexico or abroad. The artists
whose works will be interred are: Alejandro Almanza, Felipe Ehrenberg, Rafael
Lozano-Hemmer, and Sarah Minter. </span></span></span><br />
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<span style="font-size: 14px; line-height: 18px;"><div style="text-align: justify;">
Raul Zamudio, a New York-based curator and writer, and Daniel Silvo, a Spanish artist, are collaborating on this art/curatorial project.</div>
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<a href="https://dustpolvo.wordpress.com/">DUST/POLVO website</a></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-18608648153307840602015-05-22T12:52:00.001-04:002015-08-02T08:17:09.866-04:00Romulo Sans: Between Heaven and Hell<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU9w69WJANIY8LsUbDPFtE_FmRHoYkC-OBe4KvUSQJEXaQsltQx__8-LHO8rlU5g8nKl6LFdXOtU6-jb74KkiJBhM7Q9lBjoCFKpHeDm6jYlW7V01Pxx6Ai7WwjFdL3w81phyk3Q/s1600/romulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU9w69WJANIY8LsUbDPFtE_FmRHoYkC-OBe4KvUSQJEXaQsltQx__8-LHO8rlU5g8nKl6LFdXOtU6-jb74KkiJBhM7Q9lBjoCFKpHeDm6jYlW7V01Pxx6Ai7WwjFdL3w81phyk3Q/s400/romulo.jpg" width="400" /></a></div>
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<div style="background: rgb(255, 255, 255); border: 0px; font-family: Lato, Arial, sans-serif; font-size: 13px; line-height: 22px; margin-bottom: 22px; padding: 0px; text-align: center; vertical-align: baseline; word-spacing: 2.4375px;">
WhiteBox Project Room presents<br />
WhiteBox Art Center<br />
329 Broome St<br />
NY, NY 10002 </div>
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<h2 style="background: rgb(255, 255, 255); border: 0px; clear: both; font-family: Lato, Arial, sans-serif; font-weight: 500; letter-spacing: 0.125em; line-height: 22px; margin: 0px 0px 11px; padding: 0px; text-align: center; text-transform: uppercase; vertical-align: baseline; word-spacing: 2.4375px;">
<em style="background: transparent; border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">BETWEEN HEAVEN AND HELL</em></h2>
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A BENEFIT EXHIBITION</h4>
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Curated by Raul Zamudio</div>
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On view May 20th to June 10th, 2015<br />
Opening Reception Wednesday May 20th | 7-9pm</div>
<span style="background-color: white; color: #141823; font-family: helvetica, arial, 'lucida grande', sans-serif; font-size: 14px; line-height: 20.844446182251px;">WhiteBox Project Room is pleased to present the solo show of Romulo Sans titled <i>Romulo Sans: Between Heaven and Hell</i>. Whereas in previous exhibitions Sans’ subject matter ran the gamut of gritty urban New York street culture to impeccably staged mise-en-scenes that converge haute couture with memento mori, <i>Romulo Sans: Between Heaven and Hell</i> is more topical by indirectly citing events within the context of social violence, Religious authoritarianism, political corruption, corporate greed, media collusion, and consumerism.</span><br />
<br style="background-color: white; color: #141823; font-family: helvetica, arial, 'lucida grande', sans-serif; font-size: 14px; line-height: 20.844446182251px;" />
<span style="background-color: white; color: #141823; font-family: helvetica, arial, 'lucida grande', sans-serif; font-size: 14px; line-height: 20.844446182251px;">Exemplifying this is a photograph of what appears to be a runway model casually smoking a cigarette with a blue recycling bag over her head filled with environmentally toxic products. Is this </span><span class="text_exposed_show" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, 'lucida grande', sans-serif; font-size: 14px; line-height: 20.844446182251px;">some avant-garde fashion accessory or a poignant eco-political work about the complacency of culture and the culture of complacency? In another work, the word Caliphate is written in typography similarly used in Coca-Cola advertisements. On the one hand, the work mines Western Islamophobia and its perception of terror groups becoming ubiquitous to the degree that they are ostensibly corporate. On the other hand, it also alludes to shadow economies and vulture capitalism evinced, for example, in Western multinational corporations and their subsidiaries who indirectly foment religious and political turmoil for economic opportunity in their desire for global power </span><div class="blogger-post-footer"><!-- Start of SimpleHitCounter Code -->
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-55995300786358633722015-04-10T11:35:00.001-04:002015-11-10T10:24:34.463-05:00Flux Art Fair Harlem<div class="separator" style="clear: both; text-align: center;">
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<a href="http://fluxfair.nyc/" target="_blank">Flux Art Fair Harlem</a><br />
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Shahram Entekhabi, installation view, Flux Art Fair<br />
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<span style="font-size: x-small;"><a href="http://www.entekhabi.org/" target="_blank">Shahram Entekhabi</a></span><br />
<span style="font-size: x-small;">Shahram Entekhabi, <i>Golden Edition, </i>acrylic and glitter on photograph, 2010 (dimensions variable) </span></div>
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Flux Art Fair Press Release:<br />
A contemporary art fair in the culturally rich community of Harlem. FLUX Art Fair is a dynamic artistic platform<span style="box-sizing: border-box; font-weight: 700;"> </span>engaging an international community of collectors and those who simply appreciate art to discover artists and discover the vitality of Harlem. Driven by curators collaborating with artists, FLUX Fair contributes to the vibrancy of Harlem by expanding the scene beyond the walls of the fair, partnering with cultural institutions and creating opportunity for rising Harlem artists within the fair. Guest Curators select lead artists to present significant signature works linking emerging artists to a broader spectrum of art collectors.</div>
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Artists and curators respond to the curatorial theme: “The 21st Century Artist is a Nomad”. Harlem, an internationally acclaimed crossroads for the modern caravan of creativity, is a particularly relevant place to explore this theme.</div>
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A diverse, intimate, & progressive art fair with a global reach, FLUX Fair mirrors the community of Harlem.</div>
<div id="yui_3_17_2_1_1426737796038_419" style="background-color: white; box-sizing: border-box; font-family: Lato, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 23.7999992370605px; margin-bottom: 1.313em; text-align: justify;">
<span style="color: #666666; font-family: "helvetica" , "arial" , "lucida grande" , sans-serif; font-size: 11.9999990463257px; line-height: 17.8666667938232px; text-align: left;">“Like the historically imperative Harlem Renaissance of last century, Harlem today is becoming an important locus for contemporary art. Flux Art Fair will contr</span><span class="text_exposed_show" style="color: #666666; display: inline; font-family: "helvetica" , "arial" , "lucida grande" , sans-serif; font-size: 11.9999990463257px; line-height: 17.8666667938232px; text-align: left;">ibute to this in its inaugural presentation by exhibiting artists who work in diverse media and hail from within New York and beyond. Because fair participation and selection is via an eclectic group of curators and not commercial galleries, Flux Art Fair will become a significant alternative model to the art fair standard ubiquitous in New York and the international circuit.”<br />Raul Zamudio, Guest Curator – FLUX Art Fair 2015</span></div>
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<a href="http://fluxfair.nyc/curators/" target="_blank">http://fluxfair.nyc/curators/</a></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-81963808052386070142015-02-09T10:50:00.002-05:002015-02-09T10:50:35.874-05:00Réquiem (for VZT)<!--EndFragment--><div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Cambria; font-size: 12pt;">ARTR
Trafico de Arte se complace en presenter </span><i style="font-family: Cambria; font-size: 12pt;">Réquiem
(for VZT).</i><span style="font-family: Cambria; font-size: 12pt;"> </span><i style="font-family: Cambria; font-size: 12pt;">Réquiem (for </i><i style="mso-bidi-font-style: normal;">VZT)</i><span style="mso-spacerun: yes;"> </span>es una exposición colectiva de artistas
internacionales que trabajan en diversos medios, incluyendo la pintura, la
escultura, la fotografía, el vídeo y el arte performativo. El réquiem es
tradicionalmente una masa litúrgica católica por los muertos, pero en la
exposición se utiliza como marco curatorial para explorar otros aspectos de la
muerte dentro de los contextos sociales y políticos. <o:p></o:p></div>
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La exposición también cuenta con otra alusión en su título
entre paréntesis, así, y que es en homenaje al curador y escritor Víctor
Zamudio-Taylor, que murió prematuramente. <o:p></o:p></div>
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Una parte importante de la exposición se compone de artistas
que trabajaron con Zamudio-Taylor en el pasado o que son obras de arte que
fueron parte de su colección personal.<o:p></o:p></div>
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Curaduria por Raul Zamudio<o:p></o:p></div>
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Agradedimiento: Sophia Zamudio-Haas<o:p></o:p></div>
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Artistas:<o:p></o:p></div>
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Jaishri Abichandani<o:p></o:p></div>
<div class="MsoNormal">
Oreet Ashery<o:p></o:p></div>
<div class="MsoNormal">
Luis Alonzo Barkigia<o:p></o:p></div>
<div class="MsoNormal">
Will Berry<o:p></o:p></div>
<div class="MsoNormal">
Alejandro Diaz<o:p></o:p></div>
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Adolfo Doring<o:p></o:p></div>
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Yingmei Duan<o:p></o:p></div>
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Paula Elion<o:p></o:p></div>
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Karen Eliot<o:p></o:p></div>
<div class="MsoNormal">
Claire Fontaine<o:p></o:p></div>
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Patrick Hamilton<o:p></o:p></div>
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Elan Jurado<o:p></o:p></div>
<div class="MsoNormal">
Ferran Martin<o:p></o:p></div>
<div class="MsoNormal">
Emma McCagg<o:p></o:p></div>
<div class="MsoNormal">
Moris<o:p></o:p></div>
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Romulo Sans<o:p></o:p></div>
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Edgar Serrano<o:p></o:p></div>
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Riiko Sakkinen<o:p></o:p></div>
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Sari Tervaniemi<o:p></o:p></div>
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Ruben Verdu<o:p></o:p></div>
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<span style="font-size: x-small;">[Edgar Serrano, <i>Parallel Inventory</i>, intervened postcards, dimensions variable, 2010-ongoing)</span></div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-57404157968478110532014-10-04T22:41:00.000-04:002014-10-04T23:05:21.743-04:00Lucero Gonzalez Jameson: Angelus Novus<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHCYLfsU9qd-P98xr6MX7_Soxg1UyCJ01r1BNihcNY4knGsAl70TGnHu_UTik3OyXONazFVExpEPm1FY-loK1GsPvlMzUrOcJFxO8-L0SWN96gIsQ7GWDnUt5dx6MJ0_IplP1EYg/s1600/a0e041fb-05c2-404a-b2e3-5558d6fd85dc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHCYLfsU9qd-P98xr6MX7_Soxg1UyCJ01r1BNihcNY4knGsAl70TGnHu_UTik3OyXONazFVExpEPm1FY-loK1GsPvlMzUrOcJFxO8-L0SWN96gIsQ7GWDnUt5dx6MJ0_IplP1EYg/s1600/a0e041fb-05c2-404a-b2e3-5558d6fd85dc.jpg" height="254" width="320" /></a></div>
<span style="color: red;">Lucero Gonzalez Jameson: Angelus Novus</span><br />
October 2, 2014 - October 26, 2014<br />
Curated by Raúl Zamudio / Reception October 16th: 6-8pm <br />
La MaMa Galleria<br />
47 Great Jones St.<br />
New York, NY <br />
<br />
<div class="text_exposed_show">
<br />
Lucero Gonzalez Jameson: Angelus Novus is a solo exhibition of
painting, sculpture and video by the New York-based artist Lucero
Gonzlaez Jameson. The exhibition’s subtitle is culled from a similarly
titled Paul Klee print that was in the collection of Walter Benjamin.
Benjamin, a renown literary and cultural critic and writer associated
with the Frankfurt School, used Klee’s work as metaphor about a
two-faced “angel of history” looking backward to the past while the
present piled up before it as “wreckage.” A conceptual motif in
Benjamin’s “angel of history” is how the past is ever shaping the
present as much as the historian, either consciously or not, shapes the
past through their narration filtered through their subjectivity.<br />
<br />
Lucero Gonzalez
Jameson: Angelus Novus uses Benjamin’s concept of history as trope to
explore dichotomies of past/present, history/myth, and the
spiritual/corporeal. A series of artworks that introduce the exhibition,
for example, are The Execution of Miramón No.2 (nd) and a corpus of
self-portraits. Gonzalez Jameson’s painting is based on Edouard Manet’s
iconic Execution of Emperor Maximilian (1868). In one of Manet’s most
politically poignant canvases, the emperor is executed by fusillade
along with Miguel Miramón who happens to be the artist’s great, great
grandfather. Gonzalez Jameson’s rendition is more than homage to her
colored familial past or art historical citation, for it is the artistic
equivalent of what Benjamin stated as the task of the historian: “to
brush history against the grain.” In counterpoint to this are Gonzalez
Jameson’s nine self-portraits that are sequentially installed in the
exhibition. One of these, however, is painted upside down and is flanked
on each side by four upright self-portraits. In one sense, The
Execution of Miramón No. 2 is rife with its progeny including the
artist, albeit generations removed, while the auto-depictions are also
permeated with the past. This doubling effect is akin to Benjamin’s
“angel” that looks backward while the present perpetually accumulates
before it. Accompanying the exhibition will be a publication with
reproduced artworks, bio of the artist, and an essay by the curator.</div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-43937753040589020392014-05-07T13:42:00.000-04:002014-07-06T09:46:22.911-04:00How to Explain Pictures to a Dead Hare <div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmg19wqpONZed-FNrhaHSQw5yZEzXvRCY_vhwpJF2PEUXAWFvPid2BqYR6TveJDwXvCxHA-QY60_ypV3Vt7WRfDMKZvJ2vptXvKN1K3ycaL_O4jEK8Bf-gSYmZHH-OwZGqFr3quw/s1600/invitacion5+expo+mayo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmg19wqpONZed-FNrhaHSQw5yZEzXvRCY_vhwpJF2PEUXAWFvPid2BqYR6TveJDwXvCxHA-QY60_ypV3Vt7WRfDMKZvJ2vptXvKN1K3ycaL_O4jEK8Bf-gSYmZHH-OwZGqFr3quw/s1600/invitacion5+expo+mayo.jpg" height="257" width="400" /></a></div>
<span class="userContent translationEligibleUserMessage" data-ft="{"tn":"K"}"><br /> Curated by Raúl Zamudio <br /> Monterrey, México. </span><br />
<span class="userContent translationEligibleUserMessage" data-ft="{"tn":"K"}">May 15-July 9, 2014<br /> Artists:<br />
Damali Abrams (GY/US) / Isaac Aden (US) / Stefano Cagol (IT) / Gianluca
Capozzi (IT) / Gordon Cheung (UK) /</span><span class="userContent translationEligibleUserMessage" data-ft="{"tn":"K"}"><span class="userContent translationEligibleUserMessage" data-ft="{"tn":"K"}"><span class="text_exposed_show">Ala Dehghan (IR)/</span></span> Patricia Dominguez (CL)/ Rainer
Ganahl (AT) / Pablo Helguera (MX) / Laza<span class="text_exposed_show">ro
Juan (PH) / Elan Jurado (USA)/Dominika Ksel (US) / JT Leroy (US) / Ferran Martin (ES) /
Alex Nuñez (US) / Joe Politt (UK) / Vidisha Saini (IN) / Edgar Serrano
(US) / Roi Vaara (FI)<br /> <br />
How to Explain Pictures to a Dead Hare is a group exhibition whose title
cites Joseph Beuys’ watershed 1965 performance by the same name. Like
Beuys’ performance in which he “explained” artworks to a dead hare in
the gallery where he enacted his piece, the exhibition presents works
that question the art object’s ontology and the politics of
spectatorship via diverse media including photography, video, painting,
sculpture, work-on-paper, installation, performance, and sound and
olfactory works.<br /> <br /> Dominika Ksel’s interactive Untitled (2012),
for example, manifests in the interiority of the spectator. Similar to
Lygia Clark’s Sensorial Mask (1967), which was worn over the spectator's
head and blocked external perception in order to trigger self-awareness
and reflection, Ksel’s piece is a kind of rave of the mind; for its
optical and audio ecstasy of light and sound within the cranium proceeds
from the inside to the outside rather than the other way around.
Through this radical reconfiguration of art and its consumption, of
object and subject, Ksel's work shares an affinity with what Antonin
Artaud stated about his Theatre of Cruelty: “it is through the skin that
metaphysics must be made to re-enter our minds.”</span></span><span style="font-family: Calibri; font-size: x-small;"></span><br />
<br />
<span style="font-family: Calibri; font-size: small;">
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0tag:blogger.com,1999:blog-28840785.post-23164170232408329552014-04-27T10:38:00.001-04:002014-04-28T15:36:59.382-04:00Maleventum<style>
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<div class="MsoNormal">
Gianluca Capozzi: <i style="mso-bidi-font-style: normal;">Maleventum</i></div>
<div class="MsoNormal">
April 19- July 19, 2014 </div>
<div class="MsoNormal">
Curated by Raul Zamudio</div>
<div class="MsoNormal">
GiamArt Contemporanea</div>
<div class="MsoNormal">
Vitulano, Italy</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Maleventum </i>is a solo
exhibition of Gianluca Capozzi that will take place in Vitulano, Benevento,
Italy. Consisting of painting, work-on-paper, video, and installation, the title
is culled from two sources. One comes from Benevento’s ancient Roman
description: Maleventum, which translates as “site of bad events.” Maleventum was
considered so ominous that its name was changed in antiquity to something
more benign: Beneventum, and finally from its Latin name to its current
nomenclature as Benevento. The other allusion in the exhibition’s title is more
contemporary, for it comes verbatim from the similarly named album by the
Italian death metal band, Opera IX.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Maleventum’s historical description was based on numerous
factors concurrent with, and post ancient Rome. One entails the violent, bloody
battles that took place in the expansion of the Roman Republic. Later in the
sixth century AD, the Germanic Lombards seized Beneventum and although they
eventually would adopt Catholicism, their burgeoning reign brought the worship
of faunal pagan gods and rites that would rub up against Christendom. These perceived
heresies initiated Benevento’s present-day myth and folklore as a place steeped
in witchery and sorcery. The exhibition uses these sources as curatorial foil
to investigate the uncanny dimension of the everyday, occult
conspiracy theories, crypto-fascist politics, and the cult of personality. </div>
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</div>Raúl Zamudiohttp://www.blogger.com/profile/13605463642551393970noreply@blogger.com0