Raul Zamudio

Friday, August 27, 2010

That Obscure Object of Desire, Pristine Galerie, Monterrey, Mexico, May 24- July 24 , 2010

Posted by Raul Zamudio at 9:06 PM

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About Me

Raul Zamudio
United States
CURATOR, CRITIC, ART HISTORIAN: I live and work in NYC, and have curated over 80 solo and group exhibitions in the Americas, Asia, and Europe. I am author, co-author, or contributor to more than 60 books and catalogs; many of my texts have been translated into other languages: Spanish, Italian, Portuguese, German, Polish, Korean, Japanese, and Chinese. I am corresponding editor Art Nexus, and other writings appear elsewhere including Eyeball, Contemporary, TRANS, Zingmagazine, Estilo, Journal of the West, PART, Tema Celeste, Acrylic, LatinArt, La Tempestad, Art in Culture, [Art Notes], MAG, Bridge, FRAMEWORK: The Finnish Art Review, Public Art, and Flash Art. I am also the host of Art After Dark And After, a curatorial project masked as a talk show. I received undergraduate and graduate degrees in art history from the City University of New York, and also studied at Vassar College, Université Laval, Columbia University, and the Institute of Fine Arts, New York University. I am also an alumnus of the Whitney Museum Independent Study Program in Critical Studies, and teach at John Jay College, Kean University, and Parsons the New School for Design.
View my complete profile
  • raulzamudio@hotmail.com
  • Advisory Board, Muse Center for Photography and the Moving Image
  • Advisory Board, White Box
  • Associate Member, Global Board of Contemporary Art, A.L.I.C.E (Artistic Landmarks in Contemporary Experience)
  • Wikipedia entry in English
  • Wikipedia entry in Spanish

Biennials +

  • Co-Curator, "City Without Walls," Touched:: 2010 Liverpool Biennial
  • Co-Curator, Constellations: 2009 Beijing 798 Biennial
  • Artistic Director, Garden of Delights: 2008 Yeosu International Contemporary Art Festival
  • Co-Curator, Turn and Widen: 2008 Seoul International Media Art Biennial
  • Co-Juror, (invited, cancelled [illness]) 2007 Cuenca Biennial
  • Advisor, "We Are Your Future," 2007 Moscow Biennial
  • Co-Curator, "Poles Apart, Poles Together," 2005 Venice Biennial
  • Co-Juror (invited, cancelled [illness]) 2004 Cuenca Biennial
  • Catalog Essayist, The World May Be (Fantastic): 2002 Sydney Biennial

Books & Catalogs; Author, Co-author, Contributor (in progress)

  • 62. Zamudio, Raúl, et al. "Mookie Tenembaum: Paranoia." Buenos Aires: Panta Rhei, 2012
  • 61. Zamudio, Raúl, et al. "Generaciones 2012." Madrid: Caja Madrid, 2012
  • 60. Zamudio, Raúl, and Joe Politt. "Lu Lei: Floating Ice Biography." Beijing: Other Gallery, 2011
  • 59. Zamudio, Raúl, Martha Gehman, and Howard Mean. "Winslow McCagg: Recent Paintings." Winchester, VA: Two Streams Press, 2011
  • 58. Zamudio, Raúl, Sophia Schultz, and Ilka Tödt. "Shahram Entekhabi: Nothing Gold Can Stay." Beijing: Other Gallery, 2011
  • 57. Zamudio, Raúl, et al, "Ricardo Cisneros: Between Two Worlds," New York, USA: Two Leaves Editions, 2011
  • 56. Zamudio, Raúl. "Fernando Martin Godoy: Capitulo." Madrid: Caja Madrid, 2011
  • 55. Zamudio, Raúl, et al. "Stefano Cagol: Public Opinion." Milan and New York: Charta, 2011
  • 54. Zamudio, Raúl, and Wojtek Ulrich. "Wojtek Ulrich." Beijing: Other Gallery, 2011
  • 53. Zamudio, Raúl. "The Third Eye/I." Shanghai: Other Gallery, 2011
  • 52. Zamudio, Raúl, and Wojtek Ulrich. "Wojtek Ulrich." Wroclaw: GREG, 2011
  • 51. Zamudio, Raúl, and Adolfo Doring. "Adolfo Doring: Nomenclature." Hong Kong, China: DK Art Books, 2011
  • 50. Zamudio, Raúl, et al, "Sang Huoyao: Boundless," Shanghai, China: Zhejiang Art Museum, 2010
  • 49. Zamudio, Raúl; and Sun, Yao, "Sun Yao: Topographies of the Self," Shanghai, China: Other Gallery, 2010
  • 48. Zamudio, Raúl, "Suspensions of Disbelief," Shanghai, China: Other Gallery, 2010
  • 47. Zamudio, Raúl, et al, "Jay Rhee: Imageless," Seoul, Korea: Specter Press, 2010
  • 46. Zamudio, Raúl; and Rutkute,Laura, "City Without Walls," 2010 Liverpool Biennial, Vilnius: Galerija Vartai, 2010
  • 45. Zamudio, Raúl, "Gordon Cheung: The Sleeper Awakes," Shanghai, China: Other Gallery, 2010
  • 44. Zamudio, Raúl, "Gorka Mohamed: Tautologies," Seoul, Korea: Bright Treasure Art Projects, 2010
  • 43. Zamudio, Raúl; and Betheaux, Maarten, "The Pavilion of Realism," Shanghai, China: Other Gallery, 2010
  • 42. Zamudio, Raúl , "The Metamorphosis," Shanghai, China: Other Gallery, 2010
  • 41. Zamudio, Raúl, "Damian Ontiveros Ramirez: Towards a Relational Turn in Art," Nuevo León, México: Autonomous University of Nuevo León, 2010
  • 40. Zamudio, Raúl, et al, "For You," Zurich: Daros Collection, 2009
  • 39. Zamudio, Raúl, "Eternal Recurrence: The Art of Lucero," New York, NY: Chelsea Art Museum,2009
  • 38. Zamudio, Raúl, et al, "Constellations: 2009 Beijing 798 Biennale," Beijing, China: Art Map, 2009.
  • 37. Zamudio, Raúl, "Eternal Recurrence: The Art of Claudia Doring Baez," New York, NY: Chelsea Art Museum,2009
  • 36. Zamudio, Raúl, et al, "Lee Bae," Beijing, China: Today Art Museum, 2009
  • 35. Zamudio, Raúl, "My Mother's Garden," Seoul, Korea: Kim Hung Sun and Gallery 101 Space, 2009
  • 34. Zamudio, Raúl, "An Woong Chul: Sky Pictures," Seoul, Korea: Art and Dream,2008
  • 33. Zamudio, Raúl, et al, "Janet Belloto: Wave," New York: The Lab, 2008
  • 32. Zamudio, Raúl, et al, "Turn and Widen: 5th Seoul International Media Art Biennale," Seoul, Korea: Seoul Museum of Art, 2008
  • 31. Zamudio, Raúl, "Garden of Delights," Yeosu, Korea: Jinnam Cultural Center, and Chonnam University, 2008
  • 30. Zamudio, Raúl; and Kuspit, Donald, "Jorge Talca, Pinturas/Paintings," Santiago, Chile: Quebecor, 2008
  • 29. Zamudio, Raúl, et al, "Oh Chi Gyun: Definng Landscape," Manchester, Vermont: Hudson Hills, 2008
  • 28. Zamudio, Raúl, et al, "Turn and Widen: Media Art Now and Future," Seoul, Korea: Seoul Museum of Art, 2007
  • 27. Zamudio, Raúl, "Wojtek Ulrich: SCUM," New York, NY: White Box, 2007
  • 26. Zamudio, Raúl; and Hungerbuhler, Marc, "SURGE," Beijing, China: Artist Network, and OCT Contemporary Art Terminal,2007.
  • 25. Zamudio, Raúl; and Kościelak, Elżbieta, "Dubler/Body Double," Wroclaw, Poland: Polish Ministry of Culture, and Centrum Kultury Zamek Wroclaw-Lesnica,2006
  • 24. Zamudio, Raúl, et al, "Presente Perfecto/Present Perfect," Austin: Volitant Gallery, 2006
  • 23. Zamudio, Raúl, et al, "Transcultural New Jersey: Diverse Artists Shaping Culture and Communities," Vol. II, eds. Isabel Nazario, Jeffrey Wechsler, and Marianne Ficarra. Rutgers: The State University of New Jersey, 2005
  • 22. Zamudio, Raúl, et al, "Women in Love," New York: Tenri Cultural Institute, 2005
  • 21. Zamudio, Raúl, "The Sweet Hereafter," Chicago: Gosia Koscielak Gallery, 2005
  • 20. Zamudio, Raúl, et al, "The Encylopedia of Twentieth Century Photography," 3 vols., ed. Lynn Warren, London and New York: Routledge, 2005
  • 19. Zamudio, Raúl, et al, "Eel Kwon Kim," New York: John Jay Gallery, John Jay College, C.U.N.Y., 2004
  • 18. Zamudio, Raúl, et al, "Chakaia Booker: Jersey Ride," Jersey City: Jersey City Museum, 2004
  • 17. Zamudio, Raúl, et al, "Sylvia Wald," New York: Tenri Cultural Institute, 2004
  • 16. Zamudio, Raúl; and Park Shin-Eui, "Airan Kang, Digital Book Project," Seoul, South Korea: A & A, 2004
  • 15. Zamudio, Raúl, et al, "The Encylopedia of Sculpture," 3 vols. ed. Antonia Boström, London and New York: Fitzroy Dearborn, 2004
  • 14. Zamudio, Raúl, et al, "Haesook Kim: Weltanschauung," Seoul, Korea, and New York, NY: Tenri Cultural Institute, 2004
  • 13. Zamudio,Raúl; and Kuspit, Donald, "Norma Bessout: The Journey," Boston, Mass.: Arden Gallery, 2004
  • 12. Zamudio, Raúl, et al, "Going Public: Politics, Subjects, Place," Modena and Sassulo: MAST, 2003
  • 11. Zamudio, Raúl, et al, "Kim Dae Won: Mountain Vistas and Guardian Spirits," New York: Tenri Culturla Institute, 2002
  • 10. Zamudio, Raúl, "Blue on the Track," New York: Generous Miracles Gallery, 2002
  • 9. Zamudio, Raúl, et al, "(The World May Be) FANTASTIC," Sydney: 2002 Sydney Biennial, 2002
  • 8. Zamudio, Raúl, et al, "Absences: Urban Alienation in Contemporary Photography," New York: Tenri Cultural Institute, 2002
  • 7. Zamudio, Raúl, et al, "St. James Guide to Hispanic Artists," ed. Thomas Riggs, New York, NY: St. James Press & Gale Group, 2002
  • 6. Zamudio, Raúl, et al, "Axis Mexico: Common Objects and Cosmopolitan Actions," ed. Betti-Sue Hertz, San Diego: San Diego Museum of Art, 2002
  • 5. Zamudio, Raúl; Fletcher, Annie; and Fabricus, Jacob, "Op-Ed: Gerard Byrne," Dublin, Ireland: Limerick City Gallery of Art, and The Douglas Hyde Gallery, 2002
  • 4. Zamudio, Raúl, "Guillermo Creus," New York: Cynthia Broan Gallery, 2001
  • 3. Zamudio, Raúl, "Viva Cuba," New London: Alva Gallery, 2001
  • 2. Zamudio, Raúl, et al, "The Grey Painting XII," New York: Nikolai Fine Art, 2000
  • 1. Zamudio, Raúl, et al, "FRERE," New York: Frere Independent Art Fair, 2000

Publications: Essays, Articles, Reviews [titles w/out texts soon to be uploaded] (in progress)

  • (212)-911
  • (Editor) PART 5 Issue on Latin American Art
  • 2006 Whitney Biennial
  • 2008 Seoul International Media Art Biennial
  • 2008 Whitney Biennial
  • A New Touch of Evil
  • A Prescient Present
  • Adrian Piper at Elizabeth Dee Gallery
  • Adriana Arenas at Kapernekas Gallery
  • Adriana Varejao at Lehman Maupin Gallery
  • Aesthetics in Parallax: Media Art From the Americas
  • Affordable Art Fair/NY
  • After the Fall: From the Garden of Eden to the Garden of Delights
  • Airan Kang: Digital and Other Pleasures
  • Alejandro Mazon at George Billis Gallery
  • Alejandro Mazon: Painting Beside Itself
  • Alex Hank at Ramis Barquet Gallery
  • All the World's a Screen: Sunghoon Choi's APT
  • All the World's a Stage: The Social Portaiture of Claudia Doring Baez
  • America as Myth and Realty: The American Effect: Global Perspectives on the United States, 1990-2003
  • Ana Maria Palacios at Generous Miracles Gallery
  • Andro Wekua at Barbara Gladstone Gallery
  • Apocalpyse Forever: Dominic McGill's Chaos Aesthetics
  • APT
  • Art & Violence: Poetry after Auschwitz, Art after 9/11
  • Art Basel/Miami 2005
  • Art Basel/Miami 2006
  • As Above, So Below: From Plato's Cave to the Tower of Babel
  • Atelier Morales: From the Postcard to the Postmodern
  • Benjamin Torres
  • Bik van de Pol: Sculpture and its Double
  • Bodies Without Organs
  • Body Double: The Art of Ana de la Cueva
  • Borders and Trees
  • Breaking Alberti's Window: The Photography of Gerard Byrne
  • Carlos Amorales at Yvon Lambert Gallery
  • Cesar Cervantes: Collecting Art and the Art of Collecting
  • Chakia Booker: Reading between the Treads
  • Charlie Morrow
  • Christian Jankowski at Macaronne Gallery
  • Christoph Ruckhaberle at Zach Feur Gallery
  • Cildo Meireles at New Museum
  • Cildo Meireles at Tate, 2009
  • Cinema de la Crueldad
  • Cinema of Cruelty
  • City Without Walls
  • Cool Conceptualism: Notes on Lu Lei's Floating Ice Biography
  • Cristian Silva at Ramis Barquet Gallery
  • Damien Hirst
  • Dan Torop at Derek Ellery Gallery
  • Daniel Senise at Ramise Barquet
  • Darkness Ascends at Museum of Canadian Contemporary Art
  • David Maljkovic at Metro Pictures
  • Dear Tina.....
  • Death, Both Little and Grand: The Art of Stanikas
  • Demetrius Manouselis: Towards an Architectonics of Painting
  • Double or Nothing
  • Edgar Orlaineta at Sarah Metzler Gallery
  • Eel Kwon Kim: A Day in the Life of a Painting
  • Emma McCagg: Reconfiguring Figuration
  • Energy and Entropy
  • Enoc Perez
  • Eternal Recurrence: The Art of Lucero and Claudia Doring Baez
  • Eugenio Dittborn at Alexandra and Bonin Gallery
  • Everybody is a Star
  • Fernando Martin Godoy: Towards a Phantasmagoria in Art
  • Figures of Speech
  • Flash Mobsters
  • Flushing the Urinal: A Brief Note on the Independent in the Independent Art Fair,
  • Forms with an Attitude
  • Francis Alÿs
  • From the Sunset Strip to the Möbius Strip
  • Gabriel Orozco at Marian Goodman Gallery
  • Gabriel Orzoco at MOMA
  • Geraldo de Barrios & Lygia Pape at Latin Collector Gallery
  • Gordon Cheung: The Sleeper Awakes
  • Gorka Mohamed: The Ground Zero of Painting
  • Gregor Schneider at Barbara Gladstone Gallery
  • Guillermo Creus: Within, Through and Around the Folds of Painting
  • Gunthrie Lonergan: Sound Picture Text (A Singular Focus, not a Faggy Short Film)
  • Horticus Lucida
  • Hélio Oiticica
  • Imago Libri
  • In the Mind’s Eye: Essays across the Animate World
  • Janaina Tschape at Brent Sikkema Gallery
  • Jani Leinonen: Rousing the Rabble
  • Javier Téllez
  • Javier Téllez at Daniel Silverstein Gallery
  • Javier Téllez: Institutionalized Aesthetics
  • Javier Téllez: Naming the Unnamable
  • Javier Téllez: The Architecture of Confinement
  • Jaye Rhee: Art in Motion
  • Jesus Rafael Soto
  • Joanne Yannoff
  • Jonas Mekas at Maya Stendahl Gallery
  • Jorge Tacla: Expanding the Field of Painting
  • Jorge Tacla: The Third Space of Painting
  • Julio Galan
  • Kazumi’s Artistic Transmigrations and other Adventures
  • Kenneth Milton Chapman: A Life Dedicated to Indian Arts and Artists
  • Knowing Can Be Destroying
  • LA REVOLUCION: Mexico’s Great Revolution as Memory, Myth, and History
  • Latin American Art, an Art that is Neither Latin nor American
  • Lee Bae: The Vortex of Painting
  • Lucero: Palimpsests of History or, A Life in Painting
  • Lucio Fontana
  • Lucio Fontana
  • Luis Leal: An Auto/Biography
  • Lygia Clarke
  • Man or Butterfly?
  • Marco Arce at Ramis Barquet Gallery
  • Marco Maggi: Between Drawing and Withdrawing
  • Maria Elena Gonzalez at The Project Gallery
  • Marina Zukrow: The Poster Children and Other Heroes of the Revolution
  • Mauricio Alejo at Ramis Barquet
  • Melik Ohanian at Yvon Lambert Gallery
  • Miami Vice
  • Michael Bell-Smith at Foxy Production
  • Miguel Angel Rios
  • Mookie Tenembaum: Placebo and Other Truths
  • My Mother the Nazi
  • Möbius Trip
  • Nature, De-Natured: On Gabriel Orozco's Recuperated Nature
  • Never Mind the Bollocks, Here's Abdul Vas
  • New Media Art: Old Wine in New Bottles, New Wine in Old Bottles?
  • No Wave Theory of Art
  • Norma Bessout: Portrait of the Artist as Young Guide
  • Nothing Gold Can Stay
  • Nude Descending a Gas Chamber: Some Notes and Rhymes on Artur Zmijewski's, "Game of Tag"
  • Oh Chi Gyun: Life Defining Art Defining Landscape
  • Oreet Ashery: Venus/Penis Envy?
  • Original Skin
  • Painting as Remodel
  • Paul McCarthy at Whitney Museum
  • Pedro Reyes
  • Pigments
  • Plato's Cave, Alberti's Window, Bentham's Panopticon
  • Playing Dead: Joe Delappe's Interventionist Media Art
  • Poseidon's Messenger
  • Public Art in South Korea
  • Rainer Ganahl
  • Randomly Shooting a Gun into a Crowd and Other Acts of Beauty
  • Rayuela/Hopscotch
  • Reading Between the Treads
  • Rebecca Horn
  • Remembrance of a Bitmapped Past: Michael Bell-Smith's Media Art
  • Retratos: 200 Years of Latin American Portraiture
  • Riiko Sakkinen's Animanted Animus
  • Rubens Gerchman
  • Rune Olsen
  • Sang Huoyao: Boundless
  • Sangnam Lee at PKM Gallery
  • Santiago Sierra’s Drifts and Detours
  • Sarah Lucas at Barbara Gladstone Gallery
  • SEMEFO
  • Sensitive Geometry Recalled
  • Seth Price at Friedrich Petzel Gallery
  • Shadow Boxing: Rafael-Lozano-Hemmer’s-Shadow-Box-Series
  • Skin Deep and Bad to the Bone
  • Some Notes on Censorship and Art After 9/11
  • Stephen Shore at 303 Gallery
  • Sugar and Spice and Everything Nice
  • Sun Yao: Topographies of the Self
  • Superimposition at Caren Golden Fine Art
  • Suspensions of Disbelief
  • Sylvia Wald: Expanding the Field of Sculpture
  • Tamy Ben-Tor at Zach Feur Gallery
  • Tania Bruegera: No (Wo) Man is an Island
  • Taste in Home Decorating
  • Tempus Fugit
  • Terence Koh at Whitney Museum
  • Teresa Serrano: Boca de Tabla
  • The Critic as Ethnographer
  • The Denatured Picture
  • The Ear-Eye Problem, Or Kaz's Audio-Visual Doppler Effects
  • The Flanuer as Botanist
  • The Genie of History in Three Acts
  • The Guarlijos of the Sierra Madre: Hidden People of Northwestern Mexico
  • The Labyrinth of Attitude
  • The Meta, Metamorphosis
  • The Missing: The Photography of Andrea Frank and Cleverson
  • The New MOMA
  • The Parallax Hotel
  • The Pavilion of Realism
  • The Penultiament Penny
  • The Pleasure Dome
  • The Roots for the Forest: Kim Dae Won's Landscape Semiotics
  • The Sky’s the Limit: Woong Chul An’s Sky Pictures
  • The Tenant
  • The Third City
  • The Third Eye/I
  • This Time Around: Globalizing Cuban Art in the Age of Globalization
  • Thoralf Knobloch at Tony Shafrazi Gallery
  • Time Codes: Video Art in the Age of the Unimaginable
  • To Be Politcal It Has To Look Nice at Apex
  • Tomas Saraceno at Tonya Bonakdar Gallery
  • Total Asshole Compression: Cory Arcangel's Digital Detournement
  • Towards a Critical Poetics of the Conceptual: The Art of Daniel Silvo
  • Tower of Babel
  • Under a Black Sun
  • Venus in Skins
  • Video Fair or Video Fare?
  • Vik Muniz
  • Waltercio Caldas
  • What Do Women Want?
  • Winslow McCagg: Cartographies of the Mind
  • Zach Lamar Cobb: El Paso Collector of Customs and Intelligence during the Mexican Revolution, 1913-1918
  • Zhang Xiaotian: Painting Against the Grain

Lectures, Panels, Presentations, Gallery Talks, etc. (in progress)

CUNY Graduate School
John Jay College
Harvard Divinity School
U.C. Berkeley
Stanford University
University of Southern California
University of Washington
CAM/New York University
Ohio State University
New School University
Bryn Mawr College
Barnard College
University of Illinois, Urbana-Champaign
Kean University
Montclair University
Spellman College
Clark/Atlanta University
Rice University
Hofstra University
Lehman College
Universidad de las Americas, Puebla, Mexico
Escuela de Artes Plasticas, San Juan, Puerto Rico
Chonnam National University, Yeosu, Korea
Ehwa Womens University, Seoul, Korea
Academy of Art, Wroclaw, Poland
Sogang University, Seoul, Korea
Royal College of Art, London,UK
Museum of Fine Arts, Boston
Museo de Arte Contemporaneo, Oaxaca, Mexico
Cleveland Museum of Art
Chelsea Museum of Art, NYC
Whitney Museum of American Art
Nurture Art, Brooklyn
Red I Brooklyn
Jersey City Museum
Guggenheim Museum
New Museum/Drawing Center, NYC
PS 1 Museum/Clock Tower Gallery, NYC
National Museum of American History, Washington, D.C.
Mexican Cultural Institute, Washington, D.C.
Americas Society, NYC
Cervantes Institute, NYC
West Orange Public Library, New Jersey
Centrum Cultura Zamek, Leisnica, Poland
Seoul Museum of History, Korea
Other Gallery, Shanghai, China
Alva Gallery, New London, CT
Aljira , A Center for Contemporary Art, Newark
Yan Yan Club, Beijing, China
Yeosu City Hall, Korea
Art Basel/Miami
16 Beaver Group, NYC
Eye Beam/University of Rochester, NYC
MACO/Mexico City
White Box, NYC
Location One, NYC
Pristine Galerie, Monterrey, Mexico
Espacio Tapezio, Madrid, Spain
Carriage House, NYC
Elizabeth Foundation for the Arts, NYC
Distrito 14, Monterrey, Mexico

ART AFTER DARK AND AFTER

ART AFTER DARK AND AFTER is a talk show that is part Charlie Rose meets Graham Norton by way of the analyst’s couch and Andy Warhol’s TV (1982). It is more than a platform for discussion between host and guest, and interviewer and interviewee. ART AFTER DARK AND AFTER is a conceptual exhibition in real time that appropriates the talk show format. It subverts the traditional exhibition context in which curatorial narrative is conveyed through selection of art objects, their placement and so forth. For if the artwork is an indirect surrogate of its maker, then the inverse must also be true: the absent artwork hypothetically manifests in ART AFTER DARK AND AFTER through its author's discussion of it. ART AFTER DARK AND AFTER reconfigures the interview genre as a performative, curatorial project in which an exhibition without artworks is presented through dialogue, communication, interaction and symbiosis between host and guest, interviewer and interviewee, and ultimately, between curator and artist.

ART AFTER DARK AND AFTER [all conversational exhibitions will soon be uploaded] (in progress)

  • ART AFTER DARK AND AFTER [video trailer/promo]
  • Raul Zamudio in conversation with Javier Tellez
  • Raul Zamudio in conversation with Alfredo Martinez
  • Raul Zamudio in conversation with Carlos Amorales
  • Raul Zamudio in conversation with Sislej Xhafa
  • Raul Zamudio in conversation with Wenda Gu
  • Raul Zamudio in conversation with Chris Sauter
  • Raul Zamudio in conversation with Ellen Harvey
  • Raul Zamudio in conversation with Surface 2 Air
  • Raul Zamudio in conversation with Rob Kennedy
  • Raul Zamudio in conversation with Anthony Haden-Guest
  • Raul Zamudio in conversation with O Zhang
  • Raul Zamudio in conversation with Katja Loher
  • Raul Zamudio in conversation with Remy Amezcua
  • Raul Zamudio in conversation with Filipe Noterdaeme
  • Raul Zamudio in conversation with Enrique Jezik
  • Raul Zamudio in conversation with Emma McCagg
  • Raul Zamudio in conversation with Cleverson
  • Raul Zamudio in conversation with Nemo Librizzi

Reviews of Curated Exhibitions

  • (212)-911 [Joao Ribas: Notes and Queries]
  • Critics Select '06 [Gloria Stravelli, Altanticville]
  • Critics Select '06 [Upstage]
  • Democracy Was Fun [James Wagner]
  • Dennis Oppenheim: Armatures for Projection [Kim Levin, Village Voice]
  • How To Philosophize With a Hammer [Benjamin Sutton, The L Magazine]
  • How To Philosophize With A Hammer [The L Magazine]
  • Javier Tellez: Alpha 60 (The MInd-Body Problem) [Holland Cotter, NY Times]
  • Javier Tellez: Alpha 60 (The Mind-Body Problem) [Pablo Helguerra, Tema Celeste]
  • Media _City Seoul: 2008 Seoul International Media Art Biennial [Regine, we make money not art]
  • Media_City Seoul: 2008 Seoul International Media Art Biennial [Cathy Rose A. Garcia, Korea Times]
  • Media_City Seoul: 2008 Seoul International Media Art Biennial [Crystals 3-D Design Diaries]
  • Media_City Seoul: 2008 Seoul Internatonal Biennial [video documentary]
  • Media_City Seoul: 2008 Seoull International Media Art Biennial [Richard Vine, Art in America]
  • Miguel Angel Rios: Ne Me Busques, No Me Encuentras [ John Angeline, Art Nexus]
  • The Crystal Land Revisited [Ben Genocchio, NY Times]
  • The Third Eye/I [Chris Moore, RANDIAN]
  • Theater of Cruelty [Ben Genocchio, NY Times]
  • Theater of Cruelty [Where's Andre]
  • Twilight of the Idols [Fernando Castro Florez, ABC Espana
  • Under Your Skin [Donald Goddard, NY Art World]
  • Under Your Skin [Finnish Art Review]

Ephemera

  • La Times Article where my writing is cited with Adorno, Freud, Sontag, Stockhausen, Mahler, Da Vinc, et al
  • NY Post Page Six Sightings

Art After Dark and After in a Limousine, Manhattan, with Enrique Jezik

Art After Dark and After in a Limousine, Manhattan, with Ellen Harvey

Art After Dark and After in a Bar, Brooklyn, with Katja Loher

Art After Dark and After in a Limousine, Manhattan, with Chris Sauter

Art After Dark and After in an Art Gallery, Chicago, with Emma McCagg

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